WatchingtheAerial
Making The Great Circle Feel Like Indiana Jones
17:00
WatchingtheAerial
Collateral's terrible release prints
0:50
WatchingtheAerial
SE7EN & How 35mm Scans Lie to You
15:01
WatchingtheAerial
Why OBLIVION Refused to Settle For Green Screens
14:56
WatchingtheAerial
The Most Ambitious Undocumented Long Take
21:54
WatchingtheAerial
Collateral & the Death of Neon
25:50
WatchingtheAerial
Michael Mann | Making action feel real
0:54
WatchingtheAerial
i accidentally made ebay sell out of green filters
0:19
WatchingtheAerial
Creating The Ring's Look with DIY Filters
0:41
WatchingtheAerial
Why The Ring Didn’t Use Color Grading
26:20
WatchingtheAerial
What color does this film feel like?
0:51
WatchingtheAerial
“Your eyes are high, but your hand is low”
1:00
WatchingtheAerial
"Why didn't you just ask Christopher Doyle which lens he used for Fallen Angels?"
0:32
WatchingtheAerial
Christopher Doyle gives amazing interviews
1:00
WatchingtheAerial
Hitchcock names his favorite film
0:57
WatchingtheAerial
Why Hitchcock chose Santa Rosa
0:54
WatchingtheAerial
How Hitchcock Revolutionized Location Shooting
16:43
WatchingtheAerial
How green is each version of The Matrix?
0:35
WatchingtheAerial
Creating Fallen Angels' Handheld Violence
0:37
WatchingtheAerial
Choosing the Fallen Angels ultra-wide lens
0:59
WatchingtheAerial
The "mistakes" that gave Days of Being Wild its unique look
0:29
WatchingtheAerial
The Matrix Resurrections Makes the Remaster Discussion Even More Confusing
2:07
WatchingtheAerial
World of Wong Kar Wai | Criterion's Controversial Remasters vs. Original Blu-ray Releases
16:59
WatchingtheAerial
Searching for Fallen Angels' Lost Lens
19:17
WatchingtheAerial
Eight Horror Movies You Probably Haven't Seen
15:09
WatchingtheAerial
The Matrix and How Bad Remasters Happen
9:42
WatchingtheAerial
The Sunset Limited: Subtleties in Scenography
15:42