@DannyGan

What I meant by not using an external video player is IF you want a truly accurate signal on your reference monitor. By using any other color managed player you will get varying results or gamma shifts.

@fahwaazcornelius2618

I just started using Davinci Resolve and your channel is a life saver. Definitely gained a subscriber all the way in South Africa

@YannickDesmet

Thankyou very much.. As a very beginner, I'm struggling a lot with those things and this is one of the first videos that were explained very simple, but very clear.. 
So thankyou very much! 
One more like from me

@mirjan_films

Thank you, you saved my time !

@CPSWEDEN

Hey, thx 4 the videos! Very informative 👍

@uxmanxardar4809

Great vid man, learned a lot

@lawtownonline

Great video. Saving this one. Thanks Danny 
Also, I keep looking for you in my neighborhood, but I don't see you. 😊

@wiredsport1

Excellent info regarding tagging.  Many thanks!

@tinnguyenngontrung2570

This is really awsome video. It will help me a lot - Thank you! 😊

@yoberrivera9628

Thanks very much for your help. With your video i found the solution.

@alex_towers

U R ICE !!!! :goodvibes:

@AM.Production.LasVegas

Bravo you  have a very smart explanation

@Treez59

What to pick if I dont have any DaVinci options for timeline color space?

@stefanoespoernomo87

Bro yoou really help me alot cause i've been wondering why my preview color and output color doesn't match at all even the output i change into rec 709-a (i'm using macbook air m1), I'm trying the other tutorial but they didn't explain the Davinci YRGB and Davinci WG at all, just found this tutorial cause i'm not touching davinci like 2 weeks and this videos shows up, no BS just the truth thank you so much, Subscribe you bro

@thibaudchaumard3968

Hi :) Can you explain why you still Gamma 2.4 in your ODT Output gamma? Why not Rec-709-A? :)

@roismartin

hey! which settings do you recommend for HDR delivery?

@heymiranda512

Question:  I see other colorists tag rec 709 in both spaces in the advanced section of the delivery page. My understanding is that it helps with consistency across various platforms. Do you have insight or experience with this?  Thank you!

@hoimalm7120

thank you for the effort bro , but i think if i am going to use my colored footage in social media it is better to stick  with  Rec.709 Gamma 2.4 even if i am mac user . i see it gives consistent result across other devices.:)

@MIHAO

Bro, I like your videos, but why would you grade a video in a color space that's designed to compensate for gamma shifts only present in Apple SOFTWARE (Quicktime, Finder Preview, etc.)? And the gamma shift occurs only locally on your machine - if you upload the 709 2.4 video to YouTube, it'll be displayed correctly, even on a Mac. Or even in any other video player, like VLC, on your own Mac, it'll look just fine. Grading for 709-A is like grading for a toy display and expecting the footage to look great on any other regular TV.

@kiliansalomon507

great video thanks! I notice a huge difference, when using the last cst to rec709, between gamma 2.4 and rec709-A (same as timeline) so which one is correct?