@SongEssenz
Yooo love that you immediately did that video after we were all suggesting it after last week‘s video!
@nicok5630
Great stuff - also depends how much of the instrument body noise - tapping etc - you need / want to capture. The mid side is good for that as deeper percussive sounds will be centred.
@outcoldish
Probably one of the best videos I've seen about recording a guitar. Thumbs up!
@jkeeley603
Love the video Austin! Professional tracking/mix engineer here, really appreciate a producer like yourself going over techniques like this. Just wanted to mention ORTF and NOS are also great techniques for recording acoustic guitar if you have a stereo pair of small diaphragm condensers. Both sound wider than XY but are much more natural sounding than using a spaced pair or MS.
@Rodrinies
hellooo how are youu? Hope you're doing great, so today i'm here craving you an updated video on how to mix a pop music ;) , not only the vocals but the whole mix <3
@SarahSpencerMusic
This is nice, this is my exact guitar :) Perfect!
@rbednarz1990
Ah, I have found the recording an acoustic guitar video! Awesome stuff as always, learned a lot from this
@thenickisonfire
I’d like a video about how to give synths and keyboards the best sound (effects, compressors, mix in general)
@henryhuynh2099
Thanks. I thought this was the best presentation I’ve seen so far. Wish it existed when I was figuring it all out.
@PseudoSignal
Awesome synopsis man. Haven't tracked an acoustic in a while so this was the perfect video to refresh my memory. Subscribed 🤘
@KaranRao9918
Blumelein is my Favourite one, Thank you for this video and lots love from India. 🎸❣
@LoftyAssertions
Your watch looks super nice!! I have the tan one, unbelievable value Also, I just can't get around M/S at all, it always sounds terrible to me done well or poorly and I regret trying to do it early in my career. I think it's because I prefer high attack transients on all instruments and music, which seem to be lost in M/S
@ShiningHourPop
Thanks for this. Very informative. The thickness of a guitar pick can make quite a difference in the sound. Simple and cheap too!
@frenzyhat
Excellent, very comprehensive and really useful! Thanks for your work.
@jguk1977
EXAMPLES: XY- 17:23 & 18:27 Spaced Pair - 17:31 & 18:35 Solo Mic Mono - 17:39 & 18:43 Solo Mic Double Tracked - 17:47 & 18:51 Mid/Side - 17:55 & 18:59 Blumlein - 18:03 & 19:07 DI Mono - 18:11 & 19:15 DI Double Tracked - 18:19 & 19:23
@gigicantina6534
Thank you so much! Great explanations!😊
@GuyXVIII
I haven't recorded acoustics in ages and this video is so good at explaining these methods! I do remember using a mix of DI for the punch and definition without the sound-hole boominess, and a condenser about 1 meter away (or far enough to sound "ambient"). maybe threw an sm57 on the 12th fret, can't really remember, but sounds like something I would do :D
@bibijumusic
Hey Austin, Great video. Thanks for this. 1. Can you please let us know at what gain stage level we should start recording an acoustic guitar ? 2. Do you prefer different type of acoustic guitars over different type of playings. Eg, which guitar will be more suitable for strumming over intimate playing. Thanks for your time.
@aleksamrkela831
Very comprehensive and easy to understand! It was also helpful for me, personally, to back the mic away to a bit of a distance where it isn't roomy, because nobody listens to a guitar with their ear up against the soundhole. :D
@PianoDentist