Immediately, it's so effective. I think this is what I've been missing in some of my own productions.
These shorts are gems, thank you so much!!
I love creative mixing tips like these! They can really add some interest and depth to your mixes!
Definitely learned this from one of your older videos. Adds great width to my mixes!
I love these shorts! I try to watch the longer videos, but often just don't have time. But, I've almost always got a minute or two, and these small bits are usually easy to put into practice right away. Thanks, and keep 'em coming!
I've learnt so much from this channel. Mostly how hard it is to be good at this stuff. 😁
Hi, Warren ! Hope you're doing marvelously well ! I confirm ! Last year, during first lock down when i made my first mix for 2020, i tried your tips with the reverb and the panning and it works. I love it so well. Thank you for everything. You taugh me so much in so little time. It's amazing ! Thank you ! Keep it up !
love the pokemon reference in this title! and i use this trick with background vocals, i may try with clean guitars as well.
Thanks for this tip it creates a really good sense of space in the mix I used this on a flute and it sounds magnificent 🙏🙏
Nice! Practicality saves so much time and mental
Ooooooooo I like that, thank you Warren !
Hey this is what I do too! Great little trick and it really does help close miked guitars from sounding claustrophobic.
Going to have to try this in my own recordings! Thanks Warren!
This is so cool! Thank you.
In the bad old days we discovered that the loo at a rehearsal space produced an amazing slap back, so piped the sound to an amp in the khazi, recorded it and mixed it back into the main mix. The amp in the bathroom was (and I'm being generous here) on its last legs, and in isolation sounded terrible. However when it was replaced briefly with a much better one, it just didn't work. At all. I think that those happy accidents are what makes recording with analogue equipment techniques a marvellous parallel to modern digital methods. I'm old enough to remember recording to tape and frankly it was a giant pain in the bum when it came to edits, on the other hand, I do believe that it required a higher level of musicianship, and for my own part I now find that the opportunity for endless takes is NOT creatively useful. Recently I've adopted a "3 and out" approach. If I can't nail it in 3 takes I move on to something else and revisit the part later. It's helped prevent rabbit holing and frustration over my aging fingers refusing to bend to my will!
Nice 👍🏻 Must try this. Cheers!
Have you tried this with other instruments? Piano/synth/horns on the left, reverb on the right. Organ/synth/horns on the right, reverb on the left.
Very smart
@Producelikeapro